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Better.

The Mos Eisley Cantina band immeasurably improves “Party Rock”. Via Alan Cross.

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Track of the Day: Joan Jett & The Blackhearts “Bad Reputation”

I finally saw “The Runaways” with Kristen Stewart and Dakota Fanning(!). Not a great movie – rather incoherent, in fact – but Joan Jett’s story is pretty interesting. So, in honour of her surviving...

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Track of the Day: Ty Segall Band “I Bought My Eyes”

If you think your summer needs a bit more fuzzed-out, pile-driver garage rock, then friend, have I got an album for you. Ty Segall’s latest album (out today) is like a giant chainsaw annihilating a...

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Yes, there are more than one: David Harvey’s “The Crises of Capitalism”

An incisive analysis of the financial crisis. I’m sure many of you will disagree, but this is not a perspective that can be easily dismissed.

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Joe Oliver, Conservative policies get pwned

It’s amazing how a cabinet minister can go to pieces when confronted with a little informed dissent. Ladies and gentlemen, the Honorable Joe Oliver: Minister, Conservative MP, sulky child. Thanks to NH...

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Count me in for “OneCity”

By now you’ve probably heard about TTC Chair Karen Stintz (pictured) and Councilor Glenn DeBaeremaeker mega-plan for transity in Toronto- OneCity. Royson James has all the details over at the Star, so...

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Track of the Day: Turisas “Broadsword”

Why? Because Turisas is a Finnish folk-metal band that dresses like a bunch of post-apocalytpic Braveheart clones: And they are covering a tune originally by Jethro Tull, who dressed like a bunch of...

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Track of the Day: Careers in Science “Suri Cruise-Missile”

To the surprise of exactly no one, Tom Cruise and Katie Holmes have decided to end their marriage. Normally, I wouldn’t care about this, but it does give me a chance to post a song by a Toronto...

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Track of the Day: The Hold Steady “Constructive Summer”

It may be hot today in Toronto, but that doesn’t mean we can’t do something with it. The Hold Steady understands.

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Track of the Day: Judas Priest “Nightcrawler”

Chosen becuase a) It shows how a spoken-word bridge should be done, and b) how to come out of that bridge.

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